Followers

Monday, 24 September 2012

How does Marlowe explore the Gothic themes of over-reaching ambition, sin and evil in the first Act of Dr Faustus?


At the start of Doctor Faustus there is a long soliloquy where he tries to identify what vocation would be most suitable for him. With each different vocation he decides he is much too clever, ‘Divinity, adieu!’. This can be identified as over-reaching as they are subjects that require intelligence, whilst also he is still able to achieve plenty by becoming accomplished in the vocations. Finally he decides that he would be most suited to magic as it would make him untouchable and Godly, ‘Here, Faustus, try thy brains to gain a deity.’ This is also over-reaching as no-one but God can possess God’s power. This is also a reference to Lucifer who became the devil after attempting to possess the powers of God and falling from his right shoulder.

Marlowe uses the Good and Bad Angel on stage as forewarning to the fate that could behold Faustus if he decides that he will or will not practice magic. The Good Angel wants to warn that if magic is used then Faustus will have a swift demise, ‘...lay that damned book aside And gaze not on it, lest it tempt thy soul And heap God’s heavy wrath upon thy head!’; whereas the Bad Angel uses the rewards from magic as temptation, ‘Be thou on Earth as Jove is in the sky, Lord and commander of these elements.’. This forewarning from two angels is important as it shows that there is a God watching Faustus’ actions and deciding on his fate. Also they act as mythical representations of Faustus’ real and fake friends that will also attempt to tempt him.

Although Faustus is sure that he could be an accomplished Magician, he is unsure that possessing so much power would be wise. These insecurities are abandoned after the gentle cooing of Valdes and Cornelius. ‘Then doubt not, Faustus, but to be renowned And more frequented for this mystery Than heretofore the Delphian oracle.’

Once again Faustus overreaches as he believes that he has conjured Mephistopheles and is able to have control of the devil with his wit and powers. ‘I charge thee to return and change thy shape. Thou art too ugly to attend me.’ And ‘How pliant is this Mephistopheles, Full of obedience and humility!’ Faustus has illusions of grandeur. He is confident in his abilities, but does not truly understand the situation of necromancy, heaven and hell. ‘Why, this is hell, nor am I out of it.’

From these ideas there is ample evidence of Faustus’ overreaching ambition. He does not understand what he is heading towards, even though there is forewarning. It is true that Faustus has surplus intelligence that would allow him to become successful in the dark arts but the challenge set by higher beings is keeping to a moral life. Finally Faustus’ presumption is that there is only hell, and that he will have total control, rather than truly contemplating a heaven. To Faustus, how can there be a hell if there is no heaven?

                                          

Sunday, 16 September 2012

Modern Mephistopheles

This is a modern version of Mephistopheles and is in the form of a man. It is plausible that the Director decided this format as a representation of  the closeness of humans and the Devil. Also the Devil does not appear any different from other people so is able to entice Faustus. Mephistopheles' dress is a clean cut, he is well dressed and so gives him an air of importance. The cape is a signifier of the Devil and acts as a shroud of mystery.

Mephistopheles as a reflection of Jesus

Not the actual picture, but Mephistopheles has been represented as an adaptation of Jesus on the cross in a theatre version of Dr Faustus.
Mephistopheles being represented as Christ makes him easily recognisable and therefore a signifier. The representation in this form is to shock the audience as a system of belief has been turned on its head. Marlowe was accused of atheism and the Director of this version may have wanted to portray this feeling. This is also a binary opposition; the Devil is a fusion of both good and evil. Dr Faustus is a morality play and presenting Mephistopheles like this makes the determination of evil much harder. Also temptation is a key factor during the play, a fusion of Christ and the Devil represents this. Finally Mephistopheles presents himself as a tormented Christ to create a revulsion within the audience and is ironic.

Mephistopheles in classic Devil form

This is the classic Mephistopheles in Devil form. The audience is in no doubt who this character is or what it represents. The horns are a sign of the devil, as are the claws. This version of Mephistopheles is very different from human form.

Mephistopheles in Faustus


  • Devil figure
  • Some critics believe Mephistopheles is a possible lover for Faustus 
  • Mephistopheles could be Faustus' alter-ego; a construction of his suppressed feelings
  • Mephistopheles could be a distortion of the Christian angel.. no God, only the Devil
  • Some critics believe Mephistopheles is the demon who comes to collect the souls of those already damned, rather than a figure of temptation
  • Mephistopheles serves the Devil, rather than being the Devil, and acts as a physical representation on Earth

Mephistopheles outlined


  • A demon featured in German folklore
  • First appearance in 'The Faust' legend
  • Has made many more literary appearances since as a stock character for the demon

Monday, 10 September 2012

Doctor Faustus: Prologue Task

The choral introduction is linked to the traditional Greek Tragedy. It usually consists of a group, but can be only one person as it is in Faustus. Traditionally the chorus will comment on the action and what is to come in the play and this chorus is no different, giving information on his background and that a high will lead to a downfall; “form of Faustus’ fortunes” . The way the chorus introduces Faustus is significant because it is reflective of renaissance values. The focus during this period was on humankind rather than God. The chorus is insistent that the play will focus on Renaissance rather than the traditional protagonist plot lines of idols and Kings. Rather, the story will follow the life of an ordinary man from a humble background because his story has the same worth as any story of idols or Kings.